Freedom of Speech

December 18, 2010 - March 27, 2011

Installationsansicht "Freedom of Speech", im Vordergrund: Marc Morrel, "Hanging", 1966, Kunstverein Hamburg 2010, Foto: Fred Dott
Barbara Kruger, Untitled (questions), 1991, Center of the Study for Political Graphics, Los AngelesChristoph Schlingensief, Bitte liebt Österreich!, 2000 Foto: David BaltzerSister Corita Kent, rose, 1965, Corita Art Center, Immaculate Heart Community, Los AngelesDan Perjovschi, Free Speech, 2004/2010Hustler Magazine, Juni 1978Klaus Staeck, Wollt ihr das totale BILD, 1980Maria Eichhorn, Prohibited Imports, 2003, Foto: Jens ZieheSilke Wagner, bürgersteig, 2001/02, Foto: Wolfgang GünzelSteven Marcus, March from Sproul Plaza to Regent's meeting at University Hall in Oxford Street, 1964Installationsansicht "Freedom of Speech", im Vordergrund: Marc Morrel, "Hanging", 1966, Kunstverein Hamburg 2010, Foto: Fred DottInstallationsansicht "Freedom of Speech", Mark Wallinger, "State Britain", 2007, Kunstverein Hamburg 2010, Foto: Fred Dott Installationsansicht "Freedom of Speech", im Vordergrund: Olaf Metzel, "Turkish Delight", 2006, (Sammlung Hamburger Kunsthalle) Kunstverein Hamburg 2010, Foto: Fred DottInstallationsansicht "Freedom of Speech", Silke Wagner, "bürgersteig", 2001/2002, Kunstverein Hamburg 2010, Foto: Fred Dott Installationsansicht "Freedom of Speech", Christoph Schlingensief, Ausländer raus! Schlingensiefs Container, Regie: Paul Poet, Kunstverein Hamburg 2010, Foto: Fred Dott Installationsansicht "Freedom of Speech", Dan Perjovschi, Ohne Titel, 2010, Kunstverein Hamburg 2010, Foto: Fred Dott

Emory Douglas, Lex Drewinski, Maria Eichhorn, Bob Fitch, Abbie Hoffman, Daniel Josefsohn, Sister Corita Kent, Barbara Kruger, George Maciunas, Ian MacKaye, Steven Marcus, Olaf Metzel, Marc Morrel, Bruce Nauman, Dan Perjovschi, Norman Rockwell, Gerald Scarfe, Christoph Schlingensief, Taller Popular de Serigrafia, Klaus Staeck, Act Up, Silke Wagner, Mark Wallinger

The exhibition "Freedom of Speech" questions and analyses the concept of freedom of speech and the ideological role it plays in Western democracy. Everything revolves around the question: What if only those who say the truth are allowed to speak? What consequences does the freedom of expression have for our society? How and where is this freedom instrumentalized? Justified questions, that would also have been apt in connection with the debate about Thilo Sarrazin's book and his racist comments in the media. However, this controversy also manifested itself in the cartoon dispute in 2005, when a right-wing Danish daily newspaper published the so-called "Muhammad cartoons." The ensuing conflict and the Iranian reaction in the form of a "Holocaust cartoon competition" provoked a public discussion on civil rights and liberties – the freedom of speech, expression, and the press – and truth.

The exhibition confronts examples of media reports (e.g., the "Muhammad cartoonss" or the controversial covers of Hustler, Stern, or Spiegel), historical events (e.g., the Black Power and Free Speech movements in the USA), as well as artistic positions.

With the collaboration of the Duisburger Institut für Sprach- und Sozialforschung (Duisburg Institute of Linguistic and Social Research, DISS), the truth value of the works are examined by means of critical discourse analysis. This form of analysis developed by the DISS on the basis of the theories and writing of Michel Foucault is applied like a film over the linguistic and pictorial levels of the collected media reports and works of art. That the works of art become objects of analysis is unique in this form but takes account of the fact that they also play an important role in constituting everyday knowledge and therefore also need to be considered.

Apart from works addressing the universal right to freedom of expression (e.g., the works "Prohibited Imports" by Maria Eichhorn or "Wollt ihr das totale Bild" by Klaus Staeck), the exhibition shows works that in content or form sound out the limits and possibilities of freedom of expression and speech (e.g., "Turkish Delight" by Olaf Metzel or "bürgersteig" by Silke Wagner). In the context of the exhibition, "State Britain" by the Turner Prize winner Mark Wallinger is being shown for the first time in Germany. The 40-metre-long installation of demonstration banners, posters, and flags by the anti-war activist Brian Haw fills the entire area of the exhibition space on the first floor of the Kunstverein Hamburg.

"Freedom of Speech" at the Kunstverein Hamburg concludes a trilogy that had begun in December 2009 with the exhibition "Where's the wind when it isn't blowing? – Political graphic novels from Albrecht Dürer to Art Spiegelman" and had continued with "We, Hamburg" in March 2010. The three exhibitions, differing strongly in both theme and formal approach, have examined the cultural importance of images, their perception and political function in societal discourses.

The exhibition "Freedom of Speech" has been developed in cooperation with the Neuer Berliner Kunstverein (exhibition dates: 11 December 2010 to 30 January 2011) and in collaboration with the Duisburger Institut für Sprach- und Sozialforschung (DISS).

To accompany the exhibition, the Verlag der Buchhandlung Walther König is publishing a reader in January 2011.

An application for smartphones has also been developed for the exhibition that functions as audioguide and provides both interviews with artists, curators, and authors as well as further background information on certain subjects addressed by the show. Brief audio presentations of individual works of art and historical events are given.

TV-Interviews with Marc Morrel, Dan Prejovschi and Mark Wallinger on www.whitetube.de

The exhibition is funded by Lotto Stiftung, Henry Moore Foundation and British Council. The App is supported by mStore. Media partner: die tageszeitung, Le monde diplomatique and ByteFM